while >sweet nothings< was a balancing act between clubsound and listening-electronica the duo is now turning its back on the dancefloor, to take the listener on an accustic tour through their personal amber room. with their chamber-electro mix, containing characteristics of dubstep, catchy pop-elements, classical string arrangements and and a singer/songwriter like intimacy, they achieve to create new sound-rooms

in september 2013 mos ferry presents the fourth album smoke by dapayk & padberg. after their last album sweet nothings on stil vor talent in 2012 with its summery-funky sound the duo is now opening the door to a gloomy-melancholic world. dapayk & padberg consciously turn their back on the dancefloor and abandon the formerly typical balancing act between club sound and listening electronica. even though the a side of the present single is certainly made for the djs, it shall be the sole exception to their current creative path. the down-tempo version of smoke on the b side already reveals the new dapayk & padberg uneasy listening mixture.

darlyns second appearance on mos ferry meanders between techno, house and a little bit of funk. the morning after is a minimalistic techno weapon, straight forward with no frills. with stag party the frenchman switches to a bouncing house groove, that feels powerful and self-confident.and finally, my command creates a warm and deep mood, just perfect for the morning hours and you never go wrong with a funky guitar lick.

mos ferry presents a brand new super groovy house ep b apendics.shuffle and dilo. two years ago their first release on the label was filed under their alter ego cascabel gentz. now, after making the decision to reveal themselves to us, the new tracks feel even more personal and heart warming

the last time patrick vano appeared on mos ferry was a remix for jedi jet in the beginning of 2013. and the new year seems to be a changing point in his career. before that patrick released under his nickname peddy, which is - to be honest - no longer appropriate

this limited mos ferry pack includes mfp017 by luka & lazo, mfp028 by dapayk solo & mfp041 by apendics.shuffle and mfp046cd by marcel knopf.

this vinyl is properly packed with four tracks. besides the title track and a remix by mike shannon theres tom bottom and pay gun - two pieces of frickelsound par excellence. the second one is a vinyl only bonus track!

there is no place like home. that is exactly what dapayk & padberg had in mind after they released their new album at the beginning of the year. now they reveal their next ep on mo’s ferry. dont sleep lives up to its name. due to this pushing track everyone jumps remote-controlled on the dance floor and the idea of falling asleep has no chance to enter your head. plus, there’s a cherry on the cake: a remix by tiefschwarz.

techno and house build a strange symbiosis for darlyn vlys, without resulting in typical techhouse. when listening to the two tracks gus and heisenberg you just cant decide between groovy ass shaker and driving techno and you shouldnt! the often surprising development of the tracks combined with sophisticated transitions on the shaky but somehow secure foundation, make this special sound of the frenchman so interesting. the gus remix by affkt! comes as a crème double topping!

piotr bejnar might still look like a freshman on the mos ferry label, but he convinced us with talent, devotion and a fascinating drive when performing his music live on stage. look up his name on youtube and you will know why ... one year after his surprising debut with the digital 3-tracker >janusz ep<, this follow up will also be released on vinyl. for piotr bejnar the >cracow fight< is not only a platform to present himself. he welcomes his friend and producer jackname trouble on board and finishes the 4-tracker with 2 excellent remixes. yapacc and patlac are definitely no unknown entities. the two german producers are highly acclaimed for their own releases and remixed the tracks with great respect to the originals.

after growing up in a record store, facilitating to develop the sound of mos ferry prod. and launching his own label clap your hands marcel knopf is big in business now! so it was time to spent some hours in the studio again in between all his touring through germany. and up it goes! with the club smasher command knopf blows some ears away and leaves the crowd in disbelief. aint love joins the dancefloor as well as it is the typical knopf-alike oldschool frickel-house. the digital bonus track sacritool represents his sound orientation on clap your hands - modern, tooly deephouse!

tracks by bryan ferry remixed by todd terje and quiet village, delivered in a limited 180g vinyl edition. what more could you ask for? oh right, there is kate moss on the cover, too!

mos ferry release #57 is a vinyl re-release of two true classics from the label catalogue. dapayk & padbergs >island< is a special result of a collaboration with the american singer and producer caro. the original track came out in 2007 on their second album >black beauty<. but the choice for this record is the >swimming circles remix< by the parisian dj and producer duo noze (of circus company and get physical fame). originally released on the b side of >black beauty rmxs pt.2< the remix developed into a prominent long runner for the artists and the label. in 2005 >emergency< by dapayk & midnight marked the birth of mos ferrys first sublabel fenou. the 10inch record was released as a limited edition of 1.000 copies, each stamped by hand with a consecutive number. this first and only edition is out of stock for years now and if you are lucky you can buy a rare copy on discogs. reason enough to bring this track on a new mos ferry vinyl release.

cascabel gentz is an ambitious side project of two producers who are always on the run - los angeles resident apendics.shuffle and dilo from buenos aires. since 2009 they get together in the studio and create an individual mix of house, techno and minimal spiced with their own vocals and guitar riffs. this very personal and organic mood reflects on the new record >electric high<. the original tracks are complemented by an excessive remix collection. gurtz and alejandro mosso play their part to make this ep a prime example for todays music culture network.

the old stager and stuttgart-representative of the minimalistic house and techno scene vladimir corbin and his ally peddy collaborate on mos ferry number 55. the icing on the cake is the label owners appearance as remix producer! >sinner city (feat. sackjo22)< is a variable and very synthetic techhouse track with a good deal of detroit – a big-time rave tune that should be fitting in any setting from intimate clubs to big festivals. no hesitation! >the grid< comes with a driving, beautiful, rambling stab. an abused tr909 makes this one groove as hell! in conclusion dapayk gets his hands on >sinner city< and gives the track his very special personal note, a dash of warm kick-drum and a hand full of >hands up< – you know the deal!

good looking fan-shirt ferry corsten (black, 100% cotton)

ready for your next party. colorful shirt with two imprints (100% cotton)

artful shirt with the typical ferry corsten logo (black, 100% cotton)

apendics.shuffle hat scheinbar ueberall seine finger im spiel - saenger, gitarrist, produzent mit etlichen pseudonymen - das sind nur eine hand voll begriffe, die den weg beschreiben, den der amerikaner musikalisch bis jetzt zuru&#776,,ckgelegt hat. mos ferry war auf diesem weg stets ein beliebtes refugium, in das er nun zum vierten mal mit einem release unter dem arm einkehrt.

nice bag for daily use...

nice bag for daily use...

fine shirt of ferry corsten with two imprints (100% cotton)

mathias kaden and henrik schwarz remix their favourite tracks from dapayks >decade one< album. the best loops are still those that get you more excited, the longer you play them

classic - back in stock!

finally, the live virtuoso olene kadar is back again with release #4 on his homebase mos ferry! not only the really massive kick makes the a-side >deal< a true stomper, that might put a smile on every detroit fans face also a guy called gerald would be thrilled! kadar uses common sounds and styles to stack his own unconventional sound-building - his own >house<. driving is probably the adjective that can express most accurately what constitutes the eight and a half minutes track with its funky organ chords. the b-side >sot:2< contains an equally virtuoso ass-shaker. somewhere between industrial aesthetics of the reverberated snare and the indefinable squawking sound its elements combine into a multi-dimensional piece of >club therapy< full of extremes. the unity of groovy kick and bass constitutes a high contrast to the vast extending percussion that moves at times in dramatic and absurd dimensions. approaching the drop, the almost out of control snare rolls and percussion drown any crowd in their own sweat dripping from the ceiling.

this 2x12inch of dapayk solo - decade on (2000-2010) combines brand new dapayk tracks, a refreshed classic and four remixes. it comes along with a dapayk poster and a voucher card for a free download of the full length album!!!

like his taste of music marcel knopf is stylistically diversified when it comes to the selection of remixers for his debut album. gregor tresher, luna city express and jeff samuel are definitely away on different fields.

in mos ferrys eyes mikael stavostrands no turning back(mfp024) release at the end of 2006 still marks a highlight of his minimal techno period - and this is not only because of big bullys unmistakable vocals. now, none other than daniel sanchez (mumbling yeah) takes up the subject once again and with his no turning back remix he picks up where the krause duo started tastefully back then. daniels 12 minutes remix relies totally on an energetic rolling groove and puts the vocals always precisely when others would think it cant get more driving. the second remix was made by mikael stavostrand himself and is a straight and spatial welldesigned dj tool. for his own re-interpretation big bully got reinforcement through the argentinean odnu and heads more towards dub techno. these are three very succeeded remixes, which awake the desire to listen one more time to the original (despite the title)

the single follows in the wake of hells >the dj feat. p. diddy< which has won over floors and critics alike with its nearly 30-minute radio slave remix and fine work from the likes of deetron, jay haze and others. on >u can dance< hell and ferry have similarly pulled out all the stops for the remixes, gathering up work from the grammy-nominated producer carl craig, dfa mainstay tim goldsworthy and pop electro superstars simian mobile disco.

the single follows in the wake of hells >the dj feat. p. diddy< which has won over floors and critics alike with its nearly 30-minute radio slave remix and fine work from the likes of deetron, jay haze and others. on >u can dance< hell and ferry have similarly pulled out all the stops for the remixes, gathering up work from the grammy-nominated producer carl craig, dfa mainstay tim goldsworthy and pop electro superstars simian mobile disco.

limited edition 7 inch of this future classic!

it was only a matter of time. two genre-defining artists together ... pop music and dance musics most famous arbiters of taste, collaborating at last. dj hells >u can dance< is an interpretation of an unreleased bryan ferry song, but its one that reflects a perfect melding of two distinct personalities, a record that sounds as if the voice and music were made for each other.
hell, of course, has been riding high on the success of >teufelswerk<, his masterpiece of a double album, a journey replete with fruitful experiments and club bombs. one that has yielded both massive hits and not a tiny bit of controversy along the way. ferry, meanwhile, has been as busy as ever—recording a new album, performing in places as far afield as siberia, opening up the cannes film festival ... basically just being bryan ferry.
and now here they are together ... it all started in 2006 when hell dropped in to meet ferry at his west london studio. at first they discussed hell remixing an old roxy music track, and then it turned into something else - something new (u can dance).
they had similar impressions of one another — hell: >i was impressed by his aura and his look.<, ferry: >he impressed us with his sophistication and charm.< fast forward a few years later, and hell is hard at work on teufelswerk and putting the finishing touches on the aforementioned song titled >u can dance<, a serpentine moroder-esque disco burner. with the help of old friend peter kruder, of kruder and dorfmeister fame, hell fashioned the song into a smoldering nine-minute highlight of the double disc set, in which ferry turns in a typically assured vocal performance.
ferry may seem like an unexpected fan of dance, but hes been going to clubs since he was a teenager, and in his lengthy career hes worked with legends such as nile rodgers of chic and david williams from michael jacksons band. >its always a pleasure to work with people from that genre, who follow a singular groove.<
the single follows in the wake of hells >the dj feat. p. diddy< which has won over floors and critics alike with its nearly 30-minute radio slave remix and fine work from the likes of deetron, jay haze and others. on >u can dance< hell and ferry have similarly pulled out all the stops for the remixes, gathering up work from the grammy-nominated producer carl craig, dfa mainstay tim goldsworthy and pop electro superstars simian mobile disco.

nice price deal !!! bits to phono vinyl pack incl bits to phono mix cd and mos ferry >i love vinyl< sticker

>minimal is cool but in the long term a bit too unsexy!< this statement of marcel knopf that is by now quite old, shows his heart does not beat for one genre after all. after the first and more technoid single release from his album >dusty dance< monsieur knopf satisfies his longing for real house with single no.2 >crazy about<. r&b singer camaras soulful voice leaves quite an impression on this powerful beat. in >skinny bitches< marcel knopf processes insane nights: you just want to drink a beer in your favourite pub but then you meet a couple of friends and they take you to the worst disco in town. this high-energy track is uncompromising and must be played during peak time and not during warm-up sets or after-hours.

everyone knows this feeling, when a hook line of a track wont let you go. one says it is a tune wedgie, even if it sounds a bit weird in the clubbing scene. but never you mind, you just start singing out of the blue. olene kadar just hit the bulls eye with >yipyippyip<. this track impresses with an extraordinary addicting ragga vocal and puts on top his breathtaking freaky beat wrapping. one wonders where to put this into a greater content: musical seriousness or simply the fun factor. but in the end people always go crazy, when olene kadar rocks one of the countless parties in holland. the artist playing right after him faces a difficult time. that is what dave aju might have had in mind. his remix heads for another direction. very relaxed and reduced to the bare essentials he slows down the tempo to garnish this fantastic groove with the vocals and e-piano chords. so cool. on the flip you will find the dashing rave monster >neal deepersma<, that brings olene kadars former releases on mos ferry back to mind. on the label website you will get a free bonus download called >looking for an<.

say what you love ... great i love vinyl button now in black ... sehr schick

played by mathias kaden, sebo k, tobi neumann, karotte....there is a date this year in autumn you should keep in mind: the release of marcel knopfs first album on mos ferry. being a dj marcel knopf is used to fathom genre boundaries and now and then he dives into dubstep, electronica and realms of pop. with the single dusty dance you get a foretaste of the upcoming congenial longplayer. in its own way, his single enables an acoustic addiction of a thrilling style mix. these two tracks move in between smart techno and grooving illustrious house and points out, that knopf doesnt want to be bound to one musical direction. the title track and a-side of the single >dusty dance< is one of the floor fillers of his album. get ready for an enthralling groove, a monster break and a hook, where any bias against trumpets in the club is blown away. on the b-side youll find the oldschool frickling house track >rec-chord<, which reflects knopfs addiction for the beloved vinyl format. go out and get yourself a physical copy, to hear this nice and comfortable sizzling noise. its the best way to get a charming club feeling. and always remember: who buys first, may listen longer!

includes excerpts from the 80s classic happy station by fun fun!! bingo players/muzikjunki mixes!!

mossa shows up with his third release on mos ferry prod. and he demonstrates again that his productions shouldnt be missing in any record case. the title and a1 track ransack holds some solid subs, a nice and kinky drum kit including a petit but also significant drive. right next to it comes the ransack remix by andomat 3000 that pushes the whole theme more towards a swinging and rocking house tune. on the flip dark love reveals - as the name implies - a dark & noisy track topped with a sonorous vocal that shouldnt be ignored. with toms and hats from the music electronics supply store b2 make the noise is an excellent example for controlled rhythm & sound that puts a perfect finishing touch to this release. we love to say: make the noise, please make the noise!

a romantic message to vinyl. hot mos ferry shirt. nice and a little bit dinky.(100% cotton)

a romantic message to vinyl. hot mos ferry shirt. nice and a little bit dinky.(100% cotton)